Nature always leaves a good impression.

Every botanical print begins with something already complete. The veins of a leaf, the curve of a stem, the irregular edge of a petal. These details arrive fully formed, no adjustment required.

Cyanotype records what’s there, not what’s idealized. Pressed gently against sensitized paper, plants leave behind an honest trace of their structure and scale. No two impressions are the same, even when the source appears identical.

Nature doesn’t repeat itself, and cyanotype doesn’t ask it to. Each print becomes a record of presence - - clear, direct, and quietly complex.